30.11.12

The Dictator

Not to defy our God, our Father, in these our cruelest hours, but I find myself gripped by the anxieties of a child during Mass. I twist and groan inside my awful suit, hot in my chest, but the release of concluding rites only lingers on the horizon. If only I had but a pew to kick, or Mother to clasp her hand over my mouth, but instead I can only draw faint breaths of respite knowing I'm but a departing, "Thanks be to God," tucked in a bottle, drifting toward his far shore.

I could have fled, but I refused. I've no fool's pride, my duty insists I force them to take it from me. "Snatch the goblet from my very hand," I would growl at my men. Pound the table, send my cup against the wall; a little painted theater for the devoted. I could have limped off to lands where our family name still carries its shadow, but I would have been just that: a shade. An old dog with no tail pissing in the corner. I chose to spare myself the whisper stained palace walls. Their servants would scrub, and the dirt would chirp like canaries, "coup, coup, coup." My people's hatred for me is true love. And when they shed my blood, it will flow in return.

I'm not a prideful man, but if He can fit one more failure in his mercy, I'm a man of singular vanity: If I'm to be cast into the great book, I insist the painter paint his brush red instead of grey. Will the soldier know if his is the bullet in my heart? Who is the young boy that will recall for his entire life the perfect joy of my head falling away? Will I taste the ebullience of their cheers as I'm rent in twain? Oh God, forgive these selfish vulgarities! Our hour of repentance, and I fantasize like a wet mouthed sinner.

I puff my chest only to disguise my chagrin. I left my people so little man to topple. For their sake, I hope they find the empty treasury after I'm hung on the pike. In this war, what victory is the death of another pauper? My final days I didn't even have servants, all of them sent away. Save the boy, he was to prepare my suit. A frivolity, admittedly, but the boy is a poet. His manner with a suit is high above my ugly words.

I allowed myself to revel in the master's finale. Sat upon a three legged stool, I watched him toil, consumed by the suit. I was but the length of my arm from him, and he was far away. Each button face love worn, every dark blue fiber doted on, his tedious care like a worried mother. He set into my boots with his whole arm. Up to his shoulder in dress boot, his free hand polished the leather in tender circles.

I'd been good to this boy. I'd been kind to the people of my house. Would the servants of my house drink and get drunk and talk of cutting my throat? Not this boy. Or, perhaps him the most? He is the closest, and I respect him as a man.

He used his tiny fingers to affix medals won from wars of which I'd only heard stories. As custom dictates, he finished with my trousers. White and crisp, he took his finest brush and whisked away a layer of filth only perceptible to his refined artistic temperament.

"My father taught me to admire fine dress as a boy," I clumsily spurted out.

The boy looked up at me with no expression. He understood better than I we had no reason to speak. As quickly, he returned to his work. When he was finished, I chose to give him all the money I had in my purse. It was a considerable sum, especially for a child of his station to see all at once. I held it out to him, and he took it with the quiet precision he had done everything else. His hands didn't tremble, nor did he thank me, he simply left my chamber. I was never cruel to that boy.

I coiffed my hair and washed my face. I put on my suit, jacket unbuttoned, God awful thing. I climbed inside my boots, careful not to blemish their impeccable shine. I looked on the mirror, and my reflection was ready to accept a head of state. As is instinct on such occasions, I was overcome with a considerable thirst. The regal cabinet set behind my father's desk opened her generous arms, I pinched a bottle of brown, and plucked the cork from her mouth. Three fingers into a tumbler, I tipped the glass on its side and drenched my open throat.

In the stillness, I found unfamiliar silence. A frenetic quiet crackled through the air, far too certain to be a simple dirge in battle's woeful harmony. Cold and solemn, I poured another.

An hour passed, perhaps two, but enough time to grow content. I lit a cigarillo I found in the desk. I played a waltz on the phonograph. I sneaked another drink from my father's liquor. I slouched in my high backed chair, and for the first time in many lifetimes, I was a man of considerable power. But how the chamber door of El Presidente's are made to fall in. Uncountable panels of wood splintered across all of time by the boots of those forever peasants. Wild eyes poured into the room. Boys playing as men, farmers swaddled in bandoleers, and at their heart, the magnificent rebel.

Our hero, my people's hero, his name is Ciro. I knew him as a boy. We went to the same academy for privileged children in the South. His father built significant wealth as a merchant, and was intent on his son raising the family name. I was older than Ciro, but I remember him, how dark he was. His father was born of the men with one name, so we called him "El Indio," to be cruel. Never to his face. He was rather sturdy, and fine sportsman, so he was left alone, but he understood. The name was hissed behind him so often, it hung like fog about the poor boy. At least if one of us had been man enough to say it to him, he could have smashed us in our mouths. Instead, he had to be there, our unspoken insults his only genuine companion.

Now my people call him "El Indio," because his crooked nose and brown face is like theirs. Those beautiful ideas his father purchased parade around in common man's clothes and rouse my people. From the jungle boy, a son who has inked his bloodstained name in the great book. There is no place higher for a family name, it's a legacy proud enough for my own.

If only as a boy he had pushed me off the roof, or drowned me in a river. We would have saved so many men and bullets, but no one cares about one body. Men like El Indio and I, we need many bodies between us before it counts for something.

My chamber breached, the revolution won, El Indio stared at me, his gun aimed at my heart. I sat in my high backed chair, and breathed a puff of smoke.

"Stand," he said. He motioned with his revolver.

So I stood. I swallowed  the last of my drink, and extinguished the cigarillo on the desk--an unthinkable act. I crossed the room to him and made sure to position myself in front of his gun. We matched eyes.

"You have been taken. The capitol has fallen. Our people and our country are now free. And now you will pay for your treachery."

I remained quiet.

"Have you nothing to say?" He asked.

"I hope you are the man who kills me."

El Indio smashed his pistol across my face, and I fell to my knees. Tears filled my eyes. Blood filled my mouth. I choked on the acrid taste of sea and iron. His men grabbed me, arms behind my back, and raised me to my feet. As they began to lead me out, El Indio stopped, took me in, and barked, "Button his jacket!"

Unsure, his men and I exchanged appropriate glances. Servants to the end, a peasant meekly came forward and began to button my suit. Within a hair's breadth of the wicked man, and he dressed me like a doll. Blood poured from my nose, and he fumbled with the buttons, and I finally gave to fits of churlish laughter. My blood coated teeth, what a hideous sight. The man buttoned my coat all the way up, the collar clutched round me like a vice, and El Indio lead me out victorious.

How happy they were, the people in the streets. They shouted and cheered and clapped their hands as I was lead away. The tyrant had been undone! What a celebration there would be. The singing and love making alone will count for half a volume of poems when this day is remembered. Loot the mansion down to its foundation and sow the fields with salt. Empty the casks of wine until every plank has been licked clean. Glut your bellies on the pigs and chickens down to bone and tripe alike. Steal away to our highborn beds and spill the stink of drunken passion.

If He, the King of Kings, can forgive a man one small pity for himself: It causes me unspeakable regret to know I cannot celebrate with my people. If I could drink to my demise and sing songs of my defeat for one day and night, I'd swear to kiss my own gun. Open mouthed, tongue in the barrel. Like a whore.

The streets echoed with revelry. Children ran around my feet and pointed their sticks at me, firing again and again. Men cheered and raised their meager weapons in the air. An old woman shrieked at me. Wagged her finger at me and screamed names like, "murderer," and "devil," and I could recall being both. I fixed my gaze, unbroken, on El Indio's back as we marched. It was straight and muscled and made to bear the weight of such adulation. Then I felt profound sadness for him. Breathless, my eyes heavy and wet, I wanted to cry out for El Indio. I mourned for my people's hero. At least no man ever expected a single good deed from me.

He does give wonderful speeches. I had heard them second hand and read transcriptions, impressive enough, but thin imitations of the orator bathed in torchlight. He makes fabulous words and motions his hands about. He speaks of his triumphs as theirs and their burdens as his own. He spoke of my despotic reign. He would turn to me, both hands outstretched, eyes to mine, and speak of my horrific deeds--as if I needed convincing. My role clear, I stood like a proud fountain cherub, with my sorry blood covered face, and my fine jacket, and my hands tied behind my back. Haughty to the end, in my donkey cart fitted with bars and locks, a palanquin fit for the unruly beast off to slaughter.

El Indio motioned towards me again, "He will be taken to the new capitol, the people's capitol, where he will be punished for his crimes." It was a wonderful hurrah.

We've traveled for many days, and I have seen the carnality of our land. The ravages of this wild earth are perverse and beautiful. Spires of dirt stretch toward the sky. Mountains drawn in ghoulish blue lines advance into the desert's obscenity. Storm clouds sit like fat ticks on tabletop mountains, their tendrils sweeping the desperate earth. From my cell, bound in my jacket, wrists chaffed and mangled behind me, I've humbled myself before this savage place.

My people thrive throughout this cruel land. We have passed through many villages and towns. People cheer El Indio and his men and take me in like a visage cleaved from their demon dreams. Celebrations never cease as each town ensures the band of rebels have enough song and drink to sustain them across one thousand deserts. Wild grown village beauties dance with the men and awe in their fabulous tales. Old mothers stuff them until their guts come unhinged. Old fathers confer with the rebel in shadowed corners, and El Indio, like Wotan, carves treaty after treaty into his rifle stock.

Some old mothers have even stolen away a cool drink and food for this rotten corpse. They feed me like a child. One even put her fingers on the button made to loose my collar's brutal jaws, but the guard chided her away. For all the war making, my people's greatest act of defiance might be so much modesty and kindness in the face of this, our decadent regime.

There was a bad thing in one town. As our procession rolled through, and people lined the street to cheer and sing songs, there was an old man. He was stooped and gray with age, and as we approached the center of town, from his spot in the line of singing peasants, he lunged at my cage. 

During our journey, much to the contrary of my assumptions, people do not approach me. A brave boy might inch toward my cage while his friends look on. A farmer, brazen on liquor, will occasionally come by to spit and curse my name. Where I dreamed of ravenous peasants out to claim their piece of the fallen, there were curious glances and novel grins. I was an attraction, some vague notion of their fears caged and toothless. Up close, it's not frightening at all. So you can imagine my surprise as I watched this old man seize on my cage.

With the last of his apparent zeal, he grabbed the bars and shook and babbled indecipherable cruelties at me. I could see the spark pop in them, one by one. You watch the first foot step forward, the hesitation, another peasant jerks his shoulders, then like wildfire, the mob was upon me. A slur of faces enveloped me. They gnashed their teeth at me and befouled me with their fervid breath. The cage shook on its meager axle, and then a woman reached in with her arm. Unsure if it was a slap second guessed or a claw meant for my eye, the nails of her fingers caught but the tip of my nose.

An anonymous arm shot in from another side, then another arm from a different side. I shifted and ducked, but the living bonds writhed about me. As I began to slide across the cage floor, I whipped my head around and met the savage face above the arms with my leg in tow. I launched my other leg like a cannonball and smashed his damn fingers. As the man recoiled, an older fat boy, mouth filled with odious rot, grabbed hold of my kicking leg. Pinched it out of the air! We heaved in opposite directions, and the fat bastard tumbled back with my boot in his piggy fingers.

I pushed my weight against my swollen hands, and scrambled to my feet. Hands snatching in at me, cage swaying to and fro, I wrenched my arms outward. The length between my arms slacked, and the lengths around my wrist tightened their fibrous grip.

I stepped over the slack like a clumsy foal. The peasants gnarled and frothed and the cage shuddered, and in a gesture of gratitude, I stomped on their hands. I growled at them to come for me and I kicked their war wounded faces. I put my boot heel into their mouths will all of my thanks. I had but my spit to swallow, and I gobbed it in their eyes. My parting gift, I raised my arms above me and hoisted myself to the ceiling. I hung, my feet, one in stockings, one in a boot, entwined in the bars, a loving reminder I always remain just above their reach. Indulgent, bathed in their din, I heard a woman's shriek.

"El Mono! El Mono!"

A shower of rocks and horse dung pelted me. Some threw handfuls of dirt. "El Mono! El Mono!" they echoed, a broken chorus scattering through the frenzy.

A rifle smashed a peasant face. A truncheon clubbed a peasant skull. A pistol fired into the air. El Indio's men menaced the throng into horrified retreat. Rebel soldiers brutalizing a free people to defend the life of a dead man. What a wondrous age, this dawn of our enlightenment.   

El Indio's soldiers signaled, and the caravan leaped forward. I fell to the floor, pinned down, as we bolted through the town. Peasants fled in every direction. Frightened shrieks filtered through the veil of dust. A mother reached for her child. My cell lurched, almost off its broad wooden wheels. As the desert heat curtained the city behind us, I could see her. She wailed, prostrate in the street. One more life on my hands. And as a cruel reminder, the men stopped to ensure they remained tied behind me.

Will the fat boy keep the boot? I'm merely a servant in the eyes of our Lord God's glorious name, but in this life, that boot belonged to a once great and terrible man. 

Amid the vast nothing, I saw a man, alone, who lived in a tumbled down house. Out there, at night, the sky opens herself, the lust of stars smeared across the sky.

We came upon a confession hidden in the rugged land's sinfulness. A blue hole, deep and filled with pure water. One of the men said it was named after a Saint. He couldn't remember which one. El Indio's men were joyful. They shed their stinking clothes and bathed in the water. I watched them as they clamored across the sapphire plane pouring riches into their mouth. One unfortunate soldier was left to watch over me. Instead, we watched the other men the way sinners look upon heaven's splendor from the fires of hell. His compatriots splashed in the water, and called out, and drank from the coolness, but he was left with the rotten corpse.

The sun mocked us, vomiting sheets of fire. I could feel his indignation harden in him. He'd swing his eyes in resentful glances across the entire scene. As his fury was about to split his guts like a bayonet, El Indio approached.

"It's better out here, brother!" He called out to the man, gleeful in his shimmering broadness and wet black hair.

The soldier softened and smiled dutifully at El Indio's playfulness.

"I'll know the despair of the desert's heat anew, and you never have to taste the bittersweet kiss of relief." El Indio teased through his jagged teeth.

The beautiful rebel approached the poor farmer, put his hand on his shoulder, and shot me a sidelong glance.

"Take this man out of his cage. I'll take him to the water. You can bathe with the men."

His farmer eyes widened, dirt creased across his brow

"I can attend to one man, soldier," El motioned to me. "My hands have slain things God made. Bold creatures. The things this coward could only dream of being"

With the lock open, the poor farmer looked again to El Indio who nodded. The farmer raised himself into the cage and stood over me.

"Get up! Get up you bastard!"

He grabbed me by the arm and hoisted me onto my trembling knees. Like a precious relic, the men lowered me to the ground. El Indio pulled a knife hung casually in his waistband. He set blade on the coarse braids burrowed deep in my wrists, flesh and rope entwined. The soldier spoke in measured tones.

"El Indio, please..."

El Indio smiled at him and put his knife away. "You're a loyal solider, brother. A good soldier."

I staggered across the shore and the men broke their revelry to stare. El Indio walked behind me in silence. As the water's beckoning overcame me, I stooped and hurried my step. Her sumptuous currents spilled over the rocks and cooled my stocking foot, and like an overeager lover, I fell headlong.

Water rushed into my mouth. Water penetrated the grasp of my suit and washed over my filthy body. I've urinated on myself, but her cool redemption can forgive even my debasement. Water closed in over my head and the world was quiet. Eyes shut, jaw clenched, I pointed my body to descend into the frigid dark, and I rocketed back to the surface with my collar in El Indio's clutch.

I gasped for air and I could taste the rivulets of sweat and filth pouring off my face. El Indio laughed.

"Not like that, my friend."

He pulled me through the water and set me in the waist deep waves. I reclined, cradled in the shallows pull. Water kissed the edge of my eyes and filled my ears. The horizon fell away in infinite lines of mountain ramparts, the sky's broken pieces fractured on their silent peaks. Desert floor writhed against the heat's rapacious grasp. Birds with tails like crescent moons would dive, and kiss the water's curved surface, and ascend heavenward again.

I watched El Indio. Sun glinted off the water's facets and illuminated him in a bronze glow. His scars pursed their lips, saving their stories for a maiden's touch. Regal set against his band of farmers and peasants, he was the graven image of the common king. I wish the learned men and their languid books and quill pens could see my vision. Their ink pots would cry out from thirst.

I raised myself out of the water. "What happens when you kill me?"

El Indio turned and raised his eyebrows at me.

"Not to be impudent, I'm simply a curious man."

El Indio chuckled, and stabbed his chipped obsidian eyes into mine. "When I kill you, our people's ills are undone," his plain words unwavering. "When I cut off your traitorous head, barrels of wine will fall out, and ingots of gold for every man, and storm clouds to feed the farmer's lands will scatter across the plains. We will rebuild every house in the land with bricks made from your bones. Together, the people of our country will rise to be the greatest nation on earth." He sneered at me, "Your only memory, the tale of a malformed, lecherous demon used to scare children in their beds."

His molten glare unbroken, my eyes fixed in kind, we both seized, crowing with laughter.

"You wonderful bastard!" I belted through my guffaws.

"You understand these things," he said through his wry smile. "I'm not sorry for your death, but it means nothing."

"My death is not for you and me," I replied.

El Indio looked away from me and into the grim expanse. His men, curious, peeked over their shoulders.

"Do you remember Maria Elena," he broke the silence, "from our school?"

As El Indio said "school," he nodded into the distance like our school, with young Maria Elena inside, lay just over the rise.

"Of course," I replied. I knew Maria Elena well. She had married into an important family.

"What a potent memory, that girl and her high collared dresses..." El Indio made a wistful coo. "That is a woman carved by the ancient gods, my friend. Her fullness is far too vexing for this charmless age."

I nodded. Her husband was often unfaithful to her.

"Ah, but..." Perhaps my tone echoed with the unkindness of the years, or the burden of children, but he charged in before I could utter a further breath.

"Presidente, please. I cherish my recollection of her shape, higher than most things." He closed his eyes and opened his face in the grin of so many erections well spent. "Her bosom will always be..." hands out, he said a word in the old tongue. The word means "mother," but this is too crude an explanation of its weight. It is the mystic and sensual thing which is both mother to all, and all mothers. Noteworthy praise for a pair of breasts.

I had always remembered Maria Elena as a fat girl, and poorly mannered. Today, I can only picture the beleaguered mother: rosary in hand, child on her teat, home alone while her drunken husband cavorts with painted girls.

I lowered myself into the water. My suit floated just apart from my flesh. The little birds dove from the sky, nicked the water, and coasted upward on their scissor tails.

Today I woke to unspeakable joy. A band of rambunctious boys raked their sticks across the bars of my cage. I shot awake, and as I turned my weary scowl to disperse my assailants, my eyes met the throng. Dawn's scarlet eyes peered over the black mountain crags, and the citizens of the free city had gathered to march home with the conqueror. My people were dressed in their best clothes and some men were already swilling from jugs. Hosannas to His omnipotent reign, this was the dawn of our hero's hour.

As the sun climbed into the sky, the procession slowed, and the crowd grew. I did little to hide my joy, overcome with the festive mood. I'm a sun sick madman, what difference is a foolish grin? A few people cursed and spit. A strange witch babbled and shook things at me. A priest in the crowd blessed me.

A group of men walked behind me and sang a song. It was a song of my father's regime, a ballad of victory and glorious men, but they had changed the words. El Indio now stood victorious. His name and deeds so deftly woven in, it took me two choruses to recognize the song. I know the words to this chorus like it was a prayer:

Kindle the hearth and liven the jug
     Flowers grow red near the river
Protected by the length of his shadow
     He returns with the flame o'er head
If the sun and the wild wind
     Speak of Liberty
If the sun and wild wind
     Speak of Escape
Remember...

We crawled through the violent, jubilant city streets. Filth rained down on me. Dissonance droned on all sides. Unified in hunger, gaunt and ravenous, my people were famished for death. I rose to my feet, and stuck my chin toward heaven. The animal crowd howled. El Indio waited on a platform made ready for our final alliance.

And with these our mortal breaths, I make my last confession.

Oh God, Our Eternal Father, sat on high, benevolent in your mercy, and resplendent in your righteous glory, please hear my pleas. As I arrive at your throne on bended knee, I want my raiment unsullied, and I have spoken all but one iniquity. I, in my baseness, did a prideful thing. I stole a glance at my name in the great book before it was time. The desert's licentiousness upon me, my frailties exposed, I uttered a prayer for death, and as though the fragile pages were in my very hand I read what shall be written. Through this arrogance I found resolve, and I recite you these boastful words so no transgression goes uncounted:
Gaspar Augustin "El Mono" Mesta-Orendain, with one boot on, and one foot in stockings, stumbled to his death. He slobbered on his face crying out to his God, and wept tears from his eyes. Ciro Infante "El Indio" Ixtal-Jaramillo, the hero of the free people, stood before him. El Indio made grandiose speeches, and with the people's lust for blood gorged, he condemned him to die. El Indio cut loose his hands, and tore the clothes from his back, and forced him to his knees, and he went to his death laid bare before God, his jacket upon another man's back.

27.11.12

The Penny Principle

[Ed Note: I wrote this back in August, but never used it? I mean, I have a blog. I rant too. What the heck? I think I'm going to call this series: Old Man S&D's Grumpin' and Harumphin' aka You damn kids and your (insert what ever it is that they're doing). Meh...I'll publish something better on Friday.]

An erroneous story about Samsung paying their 1.5 billion dollar lawsuit settlement to Apple in trucks filled with nickels rounded the Internet bend. As usual, we let the facts catch up later, because...screw it, right? Who cares? In the moment, I was gob smacked. I didn't think it was cool or funny or awesome, I was floored by the logistics. A billion fucking dollars in nickels!! Are there that many nickels on planet earth? If so, you would have to pay huge money to a vault services company to collect these nickels and deliver them...somewhere? Then you would have to hire thousands of trucks, and pay drivers, and pay for fuel, and pay per diems, and rent security, and pay nickel un-wrappers, etc... Samsung was going to add hundreds of thousands of dollars to the cost of this already embarrassing loss?

Fortunately I have St. Google to shepherd me in my times of, "What? No way." Two seconds later, I found out:
  • False
  • The judge hasn't even made a ruling yet, and the figures could get even more made up
  • Apple could refuse this form of payment
  • There are probably not that many nickels
  • The job would require 2,755 18-wheeler trucks
  • The story was lifted from an online satire newspaper. (update: Not the Onion, but they have an absolute peach of their own) 
A wire transfer is only like 40 bucks. Though less showy, I would imagine this is how the final sum will be paid. This story had legs because it has plenty of provenance. If you Google (love that guy),  "paid in pennies," you go down an internet sewer tunnel of...ugh, those people are just dicks. Why? What's the point? The principle of the thing? Your response to bureaucratic bullshit that doesn't go your way is to go to the bank, make a withdrawal in pennies ($25 dollars per box), probably have to put in a cash order, or go to multiple branches, then unroll them, put them in buckets, and haul that heavy bullshit into wherever? What a waste of time. My time counts for almost nothing--I write a blog--and my time is worth more than that silliness.

The people on the phone for four hours over a $35 fee. The insane Yelp reviewer. The guy with the homemade bumper sticker on his van that reads, "Don't shop  CAR DEALERSHIP X! They don't care about customers!" I'm not a man fit to question your principles, but I'm allowed to not understand. Does the victory outweigh the burden passed on to yourself? I promise you the machine rolls on unencumbered. This isn't a call to acquiesce, but why carry such a serious weight? Take your money elsewhere. Save your disgust and rage. Embrace your own accountability. There may be a day when you need the energy to fight a more worthy battle, and you'll be hunched over from a lifetime hauling around boxes of pennies.

26.10.12

Barbado Hunt

The sun tipped over its apex, and light hung sideways across the sallow plain. A day's meaningful work done, stillness took the men. Some sat in the shade with open beers. Others sat legs dangling off the porch. Murmured conversation wilted in the heat. Mark was asleep, nodded off in the old porch swing, the current New Yorker open across his lap. Time is absent, whittled down to shadow's stretch toward dusk.

Drew came from inside the house. The screen door winced and fell home. His boots announced across the porch, down the three concrete steps, and into the yard where Jefe reclined with a liquor drink. Swarms of flies rose and fell as he walked through the grass.

"Hey Jefe, can we go shoot a barbado?"

Jefe looked into his glass, then out to a point in the distance, then back at Drew.

"Well I guess that'd be alright."

Barbado are a breed of sheep. As unsporting as it sounds to hunt sheep, barbado are spry bastards. Lean and quick, barbado breed and graze unchecked. Free to roam, jumping fences, they're a menace. They're also deemed livestock by the state of Texas, so you can hunt them without a permit. Acreage rolls out in every direction, but these are limited resources, an already narrow ledge on which Escondido Ranch survives. We weren't allowed to shoot a ram. There were already hunters on the land promised the prized males.

JW plucked a .22 from some corner of the house. Though the boilerplate image of “rifle”, wooden with crosshatching on the forestock, it was a mistake he would later confess to as, “a .22 is the totally wrong tool for the job." Bowman leaned inside his truck and emerged with his birthday-present-to-myself .270. Forged from matte finished ultra-lite composite, it was a slender, sinister piece. He handed me the gun with a box of bullets.

"It's dead aim and scope sighted, so if you miss, it's your fault," Bowman said, his broad grin rounding out the brim of his palm leaf hat.

"Operator error," I replied. He nodded and threw a pat into my back.

I hold a firearm the way a bachelor holds a baby, unsure where to put my hands, fearful of the temperamental package. I passed the bullets to JW and shouldered the rifle like a continental soldier.

We roused Mark from his nap. He’d never shot a gun before and displayed a lip-licking enthusiasm when talk of a hunt came up earlier. The two boys, Leif and Dallas—13 and 8 respectively—were given permission to tag along. They could be counted on. Denim clad like their fathers, they were more reliable than Mark and I combined. JW was the driver. He knew the land, and Jefe's truck seemed best operated by his son. Drew was shooter elect. Leif and Dallas were assistants. Mark and I were tourists.

The monstrous F-250 lurched across Escondido's less used roads. Throaty diesel hummed over Bob Wills, "Stay All Night (Stay a Little Longer)." We churned over rocks and swayed inside the cab as land and truck wrestled for superiority. JW would stop, check a tank, stop, check a lock, stop, inspect some fence line, but our directionless drive arrived at the herd of barbado like inevitability. He stopped the truck and killed the engine.

Drew stepped out of the front seat and loaded the .270. Barbado dotted the crest of a gentle slope in the distance. Mothers and children, an afternoon graze, like the sun made the scene from its pastoral rays. Drew sighted a sheep from the road. He supported the gun on the hood of the truck, and the tension between forefinger and trigger cast a stone silence over the group. Drew leaned in, his hand began to tighten, and he pulled back.

"That's like a 400 yard shot," he said looking to the group for some consensus opinion.

"You should try and, if you can, walk out to that white thing," Leif motioned toward a large rock out in the pasture.

Drew crept into the pasture and quietly got on his belly. He steadied the rifle across the rock, and again took aim on the herd. There is a certain ache of anticipation before a gun goes off. Gravity seems to tighten. Muscle winds around bone. The air shrinks, and noise falls away.

Air burst around the rifle. A boom and snap cracked against the tranquility. The herd skittered, then froze.

"You missed?" JW taunted, arms crossed on his gut, leaning against the hood of the truck.

Drew, with wordless resolve, pulled another bullet from his shirt pocket, reloaded, and fired again. The herd darted into the line of brush on the horizon.

"I think I got one." Drew checked his scope again.

"Did you shoot one?" I asked.

"Yeah, but I don't think I killed it."

He got to his feet and walked the gun back to JW. The two young men, Mark, and myself fell in behind Drew to find the animal. JW stayed by the truck.

"That's damn near 300 yards," Drew muttered through his dark beard, bespectacled eyes shaded under his black hat.

"You think so?" Mark replied.

"I'll count it out," Dallas chirped as he widened his gate, counting each step.

Our blue jeans whipped through the grass. Birds traded nervous chatter. I turned to Mark, "Have you ever seen this, an animal drained out?"

He arched his eyes and shook his head, a curious grin smeared on his face. I'd come to Escondido a handful of times since I was a boy. Not enough to make a man of me, but she's deflowered a delicate sensibility or two.

"It's some commune with your food type shit."

"There it is," Drew pointed.

A brown barbado lay silent in the grass. Unmoved, head up, the creature showed no panic or self-pity. There were no bleats. There was no desperate scramble on her front legs. She was stoic, the beast of burden tied to a life falling away with each heavy booted step. A pinky-sized exit wound on her spine, like the frayed edge of a page, was a determination of certain death.

"It's 253 steps," Dallas reported.

Drew pulled his leather work gloves between his fingers and dropped to his knees. He pulled a knife from the sheath on his belt, and as easy as kindness, plunged the gleaming blade into the barbado's throat. He twisted, pulled, and finished with a jagged tear across. She went limp, and Drew—with duty to animal and task alike—reached in, grabbed her hindquarters, and hoisted them skyward.

Her head lolled about in the dirt undone from essential ligament and muscle. A cordovan runnel spilled onto the earth. The volume of blood receded to a trickle. Tongue between her teeth, a ghostly hiss collapsed into a gurgle. Drew dropped her back to the dirt.

The barbado was rolled onto her back, wide black belly exposed. Drew started in with a different knife designed with a large hook on the back of the blade. He dragged the hook across her belly a few times unable to penetrate the hide.

"I need a better knife," Drew looked to the group.

Leif conjured a handsome blade from his belt, the kind a tow headed teenager in a cowboy hat should own. Drew slid the knife down the animal's belly, and she came unzipped. Intestines bloomed from the widening slit. The stomach came out, an overstuffed, sinewy sack. Drew went elbow deep in to the carcass, knife first, and her catalog of innards gave to his blade. Each piece, curved and mottled, seemed absurd out of the context of her body. A run-on sentence of organic matter cut to pieces and splayed out as nonsense.

"That's a good looking liver," Drew hummed. "Fuck...I nicked it. Sorry."

"Is it ruined when it's nicked?" I asked.

"Nah, it's just really bloody."

Drew worked with his knife, "There's the bladder." He held up a clear bulb about a third full of yellow tinged liquid. He continued to work the intestines from their place. Something in the digestive track caught knife end, and a corpuscle of almost feces ballooned out.

Drew sat back on his heels. "I don't know how to get these guts out of here."

I looked to Mark, his jaw slack. I looked at Drew, he shrugged, "I've never field dressed one of these."

Leif spoke up, "You have to cut 'em, and then pull it out its butt."

"What?" Drew shot back.

"You have to cut its butt. Then pull them out," he echoed.

We took a collective moment of consideration.

"Here, why don't we lift it up so everything can come out," Drew suggested.

I was near the tail. I reached down, saw the postmortem shit squeezed from her sphincter, and recoiled.

"I don't want to get blood on my hands. Sorry." A small shame pinched my gut.

Without hesitation, Dallas stepped in and grabbed the tail. They lifted the barbado, and her guts rolled onto to the ground, and we prepared to walk the kill back to the truck.

"You left the lungs in there," Leif mumbled, embarrassed for us.

"Really?" Drew replied as he laid the sheep back down and pulled open her chest cavity. A respiratory system met his inquiry. "No shit..."

"You gotta cut the esophagus, and then pull 'em out.” Leif had a method.

"You can get in here if you know what you're doing," Drew held the knife out to him.

Leif waived him off, but got in close and pointed out where to cut. Drew angled himself from his knees and worked his blade around tissue hidden in the recesses of the cadaver. He wrenched the hearty cord, and the lungs came out, a wet pop sounding the severed connection.

Drew worked off his gloves, their fingers black with blood. "Okay, who wants to carry this back to the truck?"

Stung from earlier, I quickly grabbed her hind legs. Mark grabbed the rest, and we set back across the pasture toward the truck. About half way, he turned to me and said, "I think I'm okay with never shooting a gun for the rest of my life."

The barn at Escondido Ranch is a long, rectangular structure, twenty feet high and fifteen feet deep. Walled on three sides with corrugated panels, the front is open. Barrels of feed and an assortment of rusted tools line the walls. A Chevy truck sits on blocks. Two long wires, stiff and set close together, wrap around a roof beam and stretch to about five feet off the ground. 

Dusk light painted the dim interior as the boys carried the barbado inside. CA, Jefe's older son, and Bowman gathered round to admire the kill. Bowman fingered where hide and fat came together, "Good kill. She's older than a yearling, maybe two years."

We formed a semi-circle near the dangling wires. I posted up on the truck. Mark put on his glasses and watched hand under chin, his academic instincts having taken over. JW went back to the porch to drink a beer. When we were boys, JW was the one always forced to do the cutting.

Drew lifted the barbado by its back feet, and Bowman wrapped a wire around each leg just below the ankle. Wires taught under her weight, the carcass hung spread eagle. Her head swung about, throat open like a crude hinge. Exposed in the light, flesh curled back from incision, the wound threw off an ugly glisten.

"What happened to her throat?" CA asked.

"We had to cut it," I replied.

CA perched his hands in his blue jean pockets, "Wasn't a clean kill."

Drew stood back, new gloves on, a carbon knife inscribed with Japanese characters in hand. He’d butchered animals of any shape and size, skinning a different matter altogether. Bowman moved to action.

"Here, you start around the ankles," he moved his knife in a tight circle under the joint.

"Alright," Drew mirrored his action and sliced deep into the tendon. His side dipped half an inch.

"Not too deep, or it'll...well, it'll fall," Bowman chided.

Bowman rolled back the hide from her leg. Drew followed suit. They worked their way down, precision cuts swiped here and there parting skin from meat. Red barbado meat crept from behind her pelage; shank, backstrap, ribs. They cut inside her free hanging front legs and unwrapped the shoulder meat.  Hide separated from flesh, it hung about her head like an upturned cloak.

CA rolled over a red wheelbarrow. Bowman started in on the joint above her free hanging foot. He slid his knife deep into her leg and sawed into the bone. About to give way, Bowman snapped off her foot over his knee. The discarded limb hit with a thump in the wheelbarrow. On her other leg, Drew forced the joint in the opposite direction, and the cannon bone splintered. Another thud in the wheelbarrow.

Bowman set about the task of removing the head. Sat on the ground, he dug his heels into the dirt.

"Just twist it off!" Dallas called out.

With a palm on each cheek and her ears clenched in his fingers, Bowman wound the head round like a crank. The carcass swung, and his leverage slipped from under him. He looked up, "I said I wasn't going to get involved."

"Where is our red hatchet?" CA mouthed around his dip of tobacco. "We used to have a red hatchet just for this." He sauntered off to better survey the wall of tools.

Bowman twisted the head again, jaw locked as he exerted himself against the break point. The head, again, held its own. Bowman, satisfied with his effort, stood up and dusted himself off.

"Well..." he said resigned as he slipped off his gloves and moved into the semi-circle next to me. Propped against the Chevy, right heel perched on the wheel well, sunglasses still on nearing twilight, Bowman took me in.

"I see you're doing a pretty good job," he shot across the bow.

CA materialized from the barn shadows with a wood saw more rust than anything. He held it out to me.

"I..."

Drew reached for the saw and I choked back my excuse with relief. Drew lowered himself to the ground, and CA handed him the tool with an OR Nurse's reverence. He passed a few wide swipes on her neck, and the corpse swung rendering his effort useless.

"Someone help him," Bowman spit in the dirt.

I stepped forward and braced her twisting carcass with my bare hands. A thick, raw smell curled around my arms and neck and into my nose. Warmth still radiated from the meat. The gnawing of saw on bone reverberated through the dead beast. Each tooth's growl echoed through my fingertips. The head gave way, and Drew placed it in the wheelbarrow.

Meat exposed, Drew quickly settled into his element. Her shoulder meat came away first. He cut out the back strap and then worked his knife around the first shank. The center of the wheelbarrow was designated for consumables. A host of flies danced around the fresh kill.

Drew separated the first shank, and an empty chest cavity dangled from a leg hung on a wire. He worked the tenderloin from inside her lower back. Bowman took the first shank, laid it across the top of a feed barrel, and took the wood saw to her fetlock. Meat in the middle, he tossed her other foot into an open corner of the wheelbarrow.

Dallas waived the flies off the meat and picked up the discarded hoof. He held it in the light, turned it over in his hand, and set it down on the meat pile. I reached in and flicked it off. The ingots of meat shown so red in the light, my primitive brain engorged, I sunk my hands into the pile. I held shank by exposed bone. Backstrap, supple and wet, draped over the edge of my hand. Her tenderloin cried out to me. To show her to the sky, mouth and forehead smeared with blood, a hunk of flesh between my heathen teeth. But this was not my kill. I rearranged the pile by size. Barbado essence permeated my skin.

"What'd you touch all that stuff for?" Dallas asked.

"That's the meat."

"That's the meat?" Dallas replied like a little boy.

Drew freed the last shank as Bowman held on to the rib cage.

"Anyone want these ribs?" Drew asked. "That'd be a good roast. Just the whole thing," he continued as he sawed through the leg bone on the still suspended shank.

Bowman set the entire barrel of ribs on the edibles pile. Two pellets of poop clung to the inside. Drew laid the last shank home, and Mark pushed the wheelbarrow across the yard. Each piece was hosed down, dropped in a large black trash bag, stuffed into a cooler, and buried under ice.

"Where does all this go?" I pointed at the hoofed, woolly detritus left behind.

"Dad said to put it in the far back corner of the arena," JW replied, the green garden hose crooked in his arm.

"Just...on the ground?"

JW grinned, scrubbing his hands, "Buzzards gotta eat."

Mark grabbed the wheelbarrow, and I followed him into the arena.

"How about all that?"

He shook his head, not in shock, but jarred with clarity. "That thing is...it's the same size as Kaiser, you know." Size had little to do with it. Mark's big black dog was suddenly an animal, too.

We went to the far corner of the lot where fence angled back toward the house. In the distance, birds circled around the bounty extracted in the pasture. Mark tipped the wheelbarrow, and discarded remains tumbled to the ground. Limbs pointed to the four corners, head wreathed in hide, her open eye—covered with a thin film of dust—followed us across the field.

12.10.12

The Undead Generation

The Walking Dead is back? Lots of mixed emotions. I'm not sure if I love to hate-watch it, or hate to love-watch it, but that show kind of sucks. I do love it, though. And I hate it. It's fun, and goes down like junk food, but because it's an hour long AMC drama people actually watch, it gets to pass as "great television."

Walking Dead is average in bulk, aggressively mediocre at best, and occasionally--very rarely--they'll stumble ass backwards into a sublime moment. The writing is ridiculous, the characters are deplorable, and the plot machinations are paint by numbers zombie stuff. The folks at Walking Dead had a unique chance to challenge the zombie genre's very dead and frequently reanimated tropes. Instead, they've settled for claustrophobic in-fighting and on-the-run "We gotta survive!" cliches. You really like Darryl? You think this show is a view into, "what if this, like, really really happened?" You're for certain it's Shane's baby? Great. I watch too, but let's not kid ourselves; it's a paltry imitation of human drama and a mite peckish when it comes to undead drama.

Anyway, the show is enjoyable, not great, who cares. I'm more invested in the Walking Dead because....why? What's with the whole zombie fixation? Why now? Why not robots or Satanists or aliens or ghosts or time travel or blobs?

Zombie's have manifested, in earnest, three separate eras in the post-pop culture United States; the late 50's through the 60's, the late 70's through the 80's, and 2000ish through now-ish. This is all a bit fluid, and there are some wild zombie films from all of the surrounding years, but these represent the height of zombie viability. Is it just the 20 year cycle of parents sharing with their children? It's got to be part of it, but you can't force something to resonate.

What's our zombie here and now? Take the 60's zombie craze. You had a potent cocktail of civil rights, the spread of communism, and a burgeoning counter culture. From all sides, how provocative is an enemy whom, if they so much as bite, you become one of them? Mindless and infected. The only way to stop them? Destroy the ideological center, the brain.

The 80's were consumer culture something something, "No Nukes," and generations of zombie films excavated as satire. The moaning masses all faking through their already dead existence. Consuming just to consume, probably poisoned by--or soon to be nuked by--the government supposed to protect them.

What is our great crisis? Well terrorism is fucked, and completely sucks. Lingering like a specter, always there, but never there, the constant threat. We have the Internet which has ruined us. Not in a bad way, we just know too much. You should go through your whole life without knowing what cake sitting is, but you know...it's just...it's just all...out there. Discourse in this country is miserable. No matter what side you're on, you're awful. The worst. This is our zombie melange.

One of the most pervasive elements of the current zombie trend is the overarching zombie apocalypse narrative. The concept isn't new, almost all zombie films depict the idea in one way or another. It's the way the zombie apocalypse has been freed from the confines of Romero, and recast as a cultural movement. Two novels written with academic dedication to the subject are both bestsellers currently being adapted into a major motion picture. A Facebook meme bounced around where you cast random people in your friend's list as stock characters in a zombie survival epic. You have one friend who will argue you down over the veracity of their zombie apocalypse survival plan, just ask around. There are bumper stickers, bed spreads, and lawn statuary. We've cultivated an almost gleeful anticipation of the event.

One way to interpret this: we want the world to end. The end of the world has transformed from possibility to certainty to welcome relief. But it couldn't be called fatalistic, because the undercurrent to most zombie apocalypse chatter is survival. Most people believe they are one of the few fit to survive. This equation clearly requires a huge number of undead, so there are going to have to be some people, lots of people, who...you know, are dead-ed. So, just riffing here, we are in eager anticipation of the end of the world, not because it is the end, but because the weak (them) will be culled and I (as in you, or us) will survive. It's going to be fun and easy to blindly club into the rotted remains of humans. You will finally be justified in your assumptions, beliefs, and capabilities alike while the rest of the world languishes, moaning in a horde of destructive ignorance.

But I've been told I project too much.

So, how about this: the zombies are chaos. All the bad and scary thing creeping into our periphery. They are dangerous and insatiable, but their power is in exposing the true threat, one another. We use the zombie apocalypse as a shaky model of our need to come together to survive. Some of us won't make it. There will be furious debates over what's more important, saving humanity, or saving the human race. We kind of maybe don't really care for each other sometimes, but we survive. We stand unified, because our only way to wage war against the gathering storm is to struggle together, regardless of our differences.

We'll have to wait and see as the zombie apocalypse remains pending. Until then, I hope we can band together in our profound dislike of Lori. And seriously, if you're not too busy ruining everything, try and keep an eye on Carl.

7.9.12

2012 NFL Preview: Summer Film Series Edition

The valley of football death (read: baseball) was avoided this year. We had NBA playoffs well into June, then there was the Euro Cup, followed by a glorious summer games in London. Come August it's already my birthday, and the present I get myself every year is the NFL season being about a month away. I feel a little under prepared this year. Usually I suckle news from camp dry as googly dog teats, but you know...I was watching water polo and going to movies and stuff. But like the sweet, sweet collapse of the universe, football season arrives whether we're ready or not. Well, I guess I already shot my Olympics wad, so...let's do a movie thing, I guess?

I've broken it down into four tiers: The Academy Division houses this year's playoff contenders, Critic's Circle Division represents the quality teams on the outside looking in, Film School Division ranks the young and exciting risers in the NFL, then those relegated to the dank NFL basement are the Unwatchables.

Warning: This thing is littered with movie spoilers. Chock full.

The Academy Division:
49ers - North By Northwest
People insist this a masterpiece, but I don't get it. They'll cite the film's iconic sequences and the immortal Cary Grant as Roger O. Thornhill, but like the much ballyhooed 49ers defense, it's not enough. It's a great film, with good moments, but masterpiece is far off. I mean, especially with Hitchcock's whole other cannon around it? Am I a crazy person? I don't like the characters, and they don't seem capable of the depth required to survive a perilous hang off the face of Mount Rushmore. And isn't that really the Niners' problem? Alex Smith reeks of hapless New York ad exec pulled into a world of intrigue far outside of his capabilities. (Which makes Harbaugh-Hitchcock, Vernon Davis is Eva Marie Saint, and the D is British spymaster professor guy, the only one who has any idea what's really going on. Oh, and the specter of Joe Montana is far superior Hitchcock films.) 49ers fans will tell you Smith isn't the guy. Ask any of them. Grab a guy in the street in Niners gear, and unless it's Alex Smith's dad, they'll totally own it. "But that defense!" they'll exclaim, "and the crop duster scene?! Classic." By the end of North by Northwest, Roger Thornhill finds it within himself to rise to the occasion. As for the Niners, Alex Smith seems fated to remain another poor guy mistaken for something he is not. 

Ravens - Fitzcarraldo/Burden of Dreams
Winning a Super Bowl is the equivalent of pulling a steamship over a jungle choked mountain. Werner Herzog makes films about obsession. The lengths people go for their obsessions and the destruction left in their wake comprises a significant piece of Herzog's films and artistic persona. He loves the way the madman hungers, because there is so much of that hunger in himself. There is no team hungrier to bring a Lombardi back to their city than the Baltimore Ravens, and one of the few teams apt to do so. They've come so close, and what they want is just over the rise, but this is the year they must finish the ascent. The Ravens have to channel their hunger into an obsession with its own momentum, incapable of failure. With T-Sizzle out for the time being, and the Ray Lewis/Ed Reed tandem another year older, Baltimore's young offensive stars will have to lead the headstrong charge. It's a tenuous hope as Flacco and Rice are inconsistent, and there have been no significant upgrades to the passing game. Fitzcarraldo has a (relatively) happy ending, and this feels like the last year this core group of Ravens can write that story. One of the fascinating things about the Fitzcarraldo is the accompanying documentary about the making of the film, Burden of Dreams. Werner Herzog actually dragged a steamship over a mountain in South America. It makes for fabulous cinema, but the realities of such ambition come at a tremendous cost. In this signature scene, Herzog is taken to the brink by the jungle. This peephole into the bleakest low of true obsession gives me pause: with all the pressure on him, can Joe Flacco overcome his moment mired in the jungle dark?

Packers - Terminator 2: Judgment Day
Terminator proved to us Sarah Connor--young, naive, topless--had the grit to go the distance. T2 finds Sarah as a hardened warrior ready, almost eager, for the machine uprising. ARodg discount double checked and aw-shucks-ed his way to a Super Bowl victory in 2010. Last season the Packers played like a title bound juggernaut, and then succumbed to a savage gut punch delivered by the soon-to-be-champion Giants. Personally, I hope Aaron Rodgers has been locked in the psych ward all summer doing chin-ups. I hope he walks onto the field in a black tank top, black cargo pants, and black combat boots with "No Fate" carved into his arm. The Pack has taken strides to upgrade their defense and I like the addition of Cedric "Runnin' for Money" Benson to their anemic run game, but it comes down to being tough (and sort of crazy). We already know the Pack has what it takes, but they have to uncover some greater depth after last year's defeat. It's been a shaky preseason in Green Bay, yet the Packers remain my (objective) Super Bowl pick. It will be a task fraught with peril, and the opponents are more badass than ever before, but if the Pack can find the gumption, at season's end we could be lowering Aaron Rodgers into the vat of molten steel as he hoists another Lombardi overhead.

Patriots -Audition Tape
Do you ever get the feeling sometimes in this life you just get satisfied? A little old and unfocused, unable to rekindle that gut gnawing drive of Super Bowls past? Who's to say, but I'm glad this exists as a certainty of 71 year old men dating 32 year old women.

Eagles -The Man Who Would Be King
The Man Who Would Be King is an adaptation of a Rudyard Kipling story starring Michael Caine and Sean Connery. It's a tale of two rouges with wide ambition. Through luck and savvy they ascend to power in a remote mountain kingdom largely on the false belief Connery's character is a god. Eventually, he is made king. As men go, he is soon taken with delusions of grandeur, and begins to plan his terrible reign. Caine's character--the awesomely named Peachy Carnahan--disgusted, wants to flee with treasure before the locals discover the truth. Against stern protest, the God-King chooses to stay and take a wife. The bride to be, afraid of the consequences of laying with a deity, bites him during their wedding ceremony to try and escape. Her bite draws this god's blood, and he is exposed as the mere mortal he is. Both men outed as the frauds they are, the brutal end is set in motion. The Eagles have immense talent, especially in star running back LeSean McCoy. DeSean Jackson and Jeremy Maclin are the sneaky best receiving corps in the NFL. But it all comes down to Andy Reid and Mike Vick. I think they are poised to dominate, win the NFC East, and make a deep playoff run, but as with all false kings, they are one reckless moment away from being totally exposed. One moment of hubris from the Man-God Michael Vick and the delusion of grandeur tumbles down. Sadly, tragic flaws are meant to be exposed, and with Vick it's an inevitability. After that, the only thing left is to find a shattered Andy Reid roaming India with Vick's still crowned skull, the only remnants of a once triumphant adventure.

Steelers - Louie Ep: Barney/Never
These pudgy old men will continue to do excellent work, and as a narrative certainty, come up unfulfilled. So much hinges on the relationship between Ben Roethlisberger and new offensive coordinator Todd Hailey. Using Louie's interaction with a weirdo boy from his daughter's school named Never--one of this season's transcendental moments--this is my best approximation:

EXT. Football Stadium - NIGHT
The stands are emptying. The few yellow and black clad denizens left in the stands look miserable. Ben and Todd sit on the sideline dejected after their Wild Card Playoff loss.

"Listen, Todd, I don't know what your deal is...but if you ever need to talk about anything..."

"Talk about what?"

"Well, you know, that's up to you. It doesn't matter. If you think of something you need to talk about--you might not--I'm just sayin'. You can talk to me."

"Nobody Likes me"

"Nope...No, they do not."

"Why?"

"Because you eat raw meat. And you shit in the tub. And you wreck...everything. And as long as you act like that, no one's gonna like you. No one's gonna wanna be around you."

"My mom says that any choice I make is okay because I love myself."

"Your...Your mom is wrong."

"I'm gonna tell her you said that."

"That's okay, you tell her. I'll take the heat."

Saints - Beasts of the Southern Wild
Parts Southern Gothic, and The NeverEnding Story, Beasts falls well short of its ambition. Great by reputation, the execution leaves a lot to be desired. Clumsy art-house tropes try to cloud the absence of depth and condescending point of view, all passed off as the visions of a child. There is no question Quvenzhane Wallis is exceptional in the lead, but one person isn't enough to outshine all of the deficiencies around her. The Saints have no real coach. Drew Brees is an impeccable leader, but his greatness can only do so much. Outside of Darren Sproles, who are the skill position players? The defense has a scandal hanging overhead and a new coordinator at the helm. We're supposed to already believe the Saints are great, and there is unquestionable potential, but there's just not enough substance to be truly great.
 
Texans - Mermaids: The Body Found
Okay, so let me lay this crazy on you. One random Saturday night I watched this self-styled documentary about real Mermaids. From the get go, I could tell this was engineered from the kind of crazy only misguided Animal Planet execs could get behind. This two hour--yes, two of them--cable television epic has it all: Government cover-ups, disenfranchised NOAA scientists, terrible CGI renderings of everyday Mer-person struggles, flimsy anthropological evidence, and even more poorly constructed theories on evolution. If this had only included some speculation that blue whales are the remnants of the space giants who populated Earth and taught us math, it would be the most perfect thing ever aired on television. What makes M:TBF so special is the remarkable sincerity with which these actors sell this story. All interview style, they deploy "scientists," "sound engineers," "professors," "facial reconstruction experts," "rogue government agents" and their collective conviction is unparalleled. They should cancel this year's Daytime Emmy's, give this entire production team every award and show Mermaids: The Body Found on every channel for 24 hours straight. The best part? Sitting there the whole time thinking to yourself, "Wow. What a load of shit." Two good years in a row for the Houston 8-8's? Arian Foster has gone vegan? Wade Phillips is the top defensive coordinator in the NFL? Andre Johnson is 31 years old? It's all so bananas, all such a farce, you can't help but awe in their commitment to the belief.

Cowboys  - High Noon
Can the beleaguered QB redefine his legacy? Can the retiring sheriff defend his town one last time? Can these men do what needs to be done even though no one will stand with them? Will Kane and Tony Romo are not perfect men. They have done things to let people believe the mission can't be won. At times both men have given up on themselves and withered from the moment. But every man has his time. When the clock struck noon, Will Kane took on his certain death and won. I believe in Tony Romo and the people he needs to be there (I'm staring so hard at you Dez) when it matters most. I want the Cowboys to stand up for themselves, guns blazing, no matter the overwhelming list of reasons it won't work. I want Tony on the wrong end of all kinds of adversity, hands perched over his pistols, and head held high. When the dust settles, the townspeople of NFL-ville will come out and see one man standing over his conquered foes. The doubters and nonbelievers may not recognize the silhouette as he casts his badge into the dirt, but it's no matter. He can ride out of town, square jaw jutting towards the sunset, with his dignity intact. In this fabulous scenario, is Tony Romo slumped over in an alley bleeding out, while the Cowboys' D cowers inside their homes, and Dez rides off with the Miller Gang? Maybe, but in this case, I'm sticking with the quiet guy who has worn his star with pride for a long time.

Lions - The Longest Yard (1974)
No extended analogy here, the Lions might literally have to string together a rag tag bunch of convicts to make a football team. And not to even by a total dick about it, I really believe they can win some games. These Lions are nasty, and if their potential can continue to solidify, they make be looking at more than a first round playoff exit. With Matthew "Just Enough Burt Reynolds In Me" Stafford and Megatron (if he can avoid the Madden curse) the offense should remain potent. I have mixed feelings about their running backs, but Brandon Pettigrew adds another much needed dimension. If the defense can mature, and act like it, the Lions could be poised to challenge the NFC guard. Get it, cause like, in the movie they play the prison guards? Whatever... 

Chargers - No Country For Old Men
Checking in as the oldest team in the NFL and with Norv Turner still (still?! still.) at the helm, the Chargers hope for even hope must seem like a vague memory. If I was good at Internet, I'd just Jib-Jab Phillip Rivers' face onto this thing, but you'll have to use your imagination.


Bengals -  Killer Of Sheep
Young, chaotic, and visionary, this film is unforgettable. So raw it aches with potential, this film is cut from pure feeling. A sensation above a cohesive narrative you have to enjoy this film despite its lack of direction. If you choose to watch, abandon the hope for a story complete with a satisfying ending, it's totally out of the question. Instead, relish in the moments of exhilaration, frustration, and confusion alike. Andy Dalton and AJ Green will produce some eye popping moments, so bold in their youth. The men on defense in Cincinnati will quietly go to work at the slaughterhouse every day. These Bengals will race toward their mediocrity with such bravura, they'll be the most hauntingly beautiful, yet unfulfilled, NFL team in recent memory. This collection of Bengals players is genuinely exciting, but Marvin Lewis is not enough to guide this potent talent to a better day. At the end of the film, during an apex you've felt subtly building since the beginning, you see an unflinching depiction of a sheep's slaughter. It's cruel, but it is part of the world's unkind necessities. Will Mike Brown finally let Marvin Lewis go? Well, as Dinah Washington's refrain echoes through Killer of Sheep and Bengals lore alike, "This bitter earth, what fruit it bears."

Critic's Circle Division:
Giants - Barry Lyndon
Eventually you just have to acknowledge Barry Lyndon is a great film. Eli has (kicks hole in the wall) two Super Bowl rings. Barry Lyndon is a master's thesis on cinematography. Tom Coughlin out coached the immortal Bellichick for his two championships. Barry Lyndon is consistently acknowledged as one of the best films in Kubrick's cannon. This team, and their QB, are in the "great" team conversation. But no matter what, Barry Lyndon is still no fun to watch. It'll be remembered, but not for any exciting reasons. Yeah, NYG should be solid. Victor Cruz remains one of the most explosive offensive weapons in the NFL. The G-Men's defense, featuring Jason Pierre-Paul (who I fear like the devil), should be scary. And Eli's Barry Lyndon-like climb up the ladder of NFL lore--as charmed as it is inexplicable--will march on like Schubert's Piano Trio in E Flat. Lyndon's grim fate eventually settles in, but it's all too late. Lives have already been ruined. I hate everything.

Jets - A Simple Plan
By the end, all will be lost. The money useless, everyone dead, and Rex left alone to reflect on the wreckage of this broken dream. What a disaster. And before you ask, of course Tim Tebow is the dimwitted brother whose innocence is corrupted by the amoral whirlpool around him. J-E-T-S Jets! Jets! Jets!

Bears - A Clockwork Orange
I watched Clockwork Orange on the big screen this summer, and it occurred to me how cruel this film is. Little Alex isn't a character, he is a catalyst designed to expose every flaw in a broken society. No leadership. No moral sense. No hope for the future. Just a surly blond sociopath gleefully leading them all down the road to ruin. Try and fix him, and it will only break things more. And you know what, all of this makes me somehow love Clockwork Orange even more. How about a nice round of Moloko Vellocets for Jay Cutler and your 2012 Chicago Bears!

Falcons - The Invisible Man (1933)
I mean, seriously, would you have even noticed if I didn't write up the Falcons? Oh Matt Ryan and your middling existence, there was a time when you even had me fooled. Are we taking bets on when the invisibility drives Matty Ice murderously insane? I'm setting the line at Week 8 of the 2014 season.

Seahawks - Cool Hand Luke
Russell Wilson is all the buzz out of Seattle camp. He's shown remarkable athleticism and natural leadership, but he has an underlying fury that fascinates me. An intensity, that much like Luke, makes you believe he will be not be stopped. No matter the severity of the consequences, no matter the detriment to himself, he will not quit. Wilson seems like he's ready to go and go until his belly is distended and his jaw has to be manually worked to choke down one more hard boiled egg. He's got good guys around him in BesatMode and the quietly vicious Seahawks D, and Pete Carroll seems like the right coach, but can he take the strain? Can he handle the pressure of needing to be everyones messiah, fast? It cost Luke everything. Either way, I like Russ for at least one halftime confrontation where he throws his helmet on the ground, screams, "Stop feeding off me!" and tries to escape.

Broncos - Desperado
The much rumored gunslinger rolls into town nursing permanent wounds. But seeing as how this is the already the sequel, and there is a terrible third installment on the horizon, is there any real victory anymore? No matter how many bullets launched and bodies used, our aging shooter may just roam the high plains forever in search of something that's no longer out there. At least Desperado has the best shoot 'em up of the three. Go get 'em #18.

Film School Division:
Panthers - The Warriors
Young, rambunctious, and with charismatic war chief Cam Newton at the helm, I like these Panthers' chances in the gauntlet of foes. There will be no shortage of intrigue, and even more moments of pure "what the hell kind of awesome did I just watch?" All nervous energy and laughable flaws, this team is going to be thrilling to watch. The Panthers won't sneak up on anyone. The word is out and teams will be coming for them. Some battles will end in retreat, some good men will be lost along the way, but this team can trade body blows with anybody. I don't think the Panthers are ready to make it all the way back to Coney Island, but they can go a lot further than people think. Can you dig it?

Colts - Being There
Have you ever needed a savior? Have you ever craved an answer so desperately you'll revise any hope until it's exactly what you want? Being There is a provocative meditation on the savior as a projection of what his followers want to hear. Chance is a simple gardener who utters banalities. The outside world transforms him into Chauncey Gardiner, master orator and philosophical visionary. I think Andrew Luck is a goober and mostly half-way great. Colts fans, and everyone else for that matter, seem to think he's the regular Mr. Jesus. Now is my comparison of Andrew Luck to a simp raised on television deified by forlorn and damaged people mean I think he'll be no good? No. If anything, Being There is about how Chauncey is so special because he doesn't yet know what he can't accomplish.

Titans/Buccaneers - The Outsiders
One of these teams will make an improbable run for their division title. You never know in advance when a movie is going to be filled with mega stars, but it always seems so obvious after the fact. What hits the box office as a sleeper with young talent emerges as a wellspring rich with a decade's worth of talent. The Titans have the look, especially with a solid D and CJ2K coming into the season almost invisible. The Bucs have a ton of talent that lost its way last year, and new coach Greg Schiano is said to have renewed their sense of purpose. I'm hedging my bets, but it's certain one of these young greasers will be ready to rumble. Uptight NFL Socs everywhere have been put on notice.

Dolphins - Hard Knocks
Every year Hard Knocks builds a certain goodwill around a team. As opposed to the few franchise players you're familiar with, the whole team gets a face. NFL Films uses their all seeing eye to capture the human element of every team. You learn to love a team as individuals, and so when the season starts, because there is one second string guard you think is hilarious, you're convinced this team will succeed. This is the first year of Hard Knocks where I've walked away with the exact opposite feeling. There is some foundational talent, but Joe Philbin is not a leader of men. Even as the series progressed, he became more unknowable, unlikable even. To his credit, Philbin appears to have a wonderful staff, but the man himself is the opposite of what you hope for in a head coach. Indecisive, awkward,  and cold, it's clear why Philbin was a long time assistant. In this modern game, coaches still coach, but their role as a center pole for massive egos and tremendous pressure is equally important. Philbin is a great offensive innovator, but he's not a man you follow into battle. The Dolphins are building something, but the largest looming setback lingers at the top.

Redskins - Awakenings
Just when it seems like the cure has arrived, no matter how strong the dosage, you can't defeat the encephalitis lethargica induced catatonia. I weep for you already RGIII. Just like the patients given a brief escape from their hellish internal prison, learn to live that one moment. Live it forever.

Cardinals - The Great Escape
Am I saying playing for the Cardinals is like Nazi POW camp, and Larry Fitzgerald should desperately be trying to escape? No, but I am saying the Cards named John Skelton as their starting quarterback. Spoiler Alert: No one gets out alive.

The Unwatchables 2:
Let's just say...

Raiders - Dolph Lundgren
Bills - Harry Crews
Vikings  - Jason Statham
Browns - Randy Couture
Chiefs  - Chuck Norris
Rams - Bruce Willis
Jags - Liam Hemsworth

...for no particular reason except it's football season. And not even these ass clowns can take that away from us. We made it everybody! Hooray NFL!